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Guest post by Karen Thompson; cross-posted on Listening to Lesbians

Editor’s note: This post by Karen Thompson is in response to an episode of the television program Transparent, which disdainfully and contemptuously parodied the Michigan Womyn’s Music Festival and the women – mostly lesbians – who called it home for 40 years.

(1) One of the things about festival that is so fucking amazing is the sheer magnitude of female competence. The stages, the sound, the tents, the everything is put together with such care and consciousness and that everything — made out of spit and bandaids — can look like something so polished, so professional, so ON POINT. It’s not that we make nutloaf; it’s that we make nutloaf for THOUSANDS OF WOMEN over OPEN FIRES in all weather. For free.

So the general fucking HINKINESS of the look of the “Idlewild” shit pissed me off because it looked jacked up and like someone threw a camping party in someone’s backyard instead of the sheer magnitude and scale of ability that is demonstrated at fest the minute you walk in the gate. And that lack of attention to that sort of detail (when the slickness and smoothness of everything else on that show is never skimped on), once again ignored female competence and what we can do without males.

Which was one of central liberatory aspects of Festival for me.
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