Guest post by Karen Thompson; cross-posted on Listening to Lesbians
Editor’s note: This post by Karen Thompson is in response to an episode of the television program Transparent, which disdainfully and contemptuously parodied the Michigan Womyn’s Music Festival and the women – mostly lesbians – who called it home for 40 years.
(1) One of the things about festival that is so fucking amazing is the sheer magnitude of female competence. The stages, the sound, the tents, the everything is put together with such care and consciousness and that everything — made out of spit and bandaids — can look like something so polished, so professional, so ON POINT. It’s not that we make nutloaf; it’s that we make nutloaf for THOUSANDS OF WOMEN over OPEN FIRES in all weather. For free.
So the general fucking HINKINESS of the look of the “Idlewild” shit pissed me off because it looked jacked up and like someone threw a camping party in someone’s backyard instead of the sheer magnitude and scale of ability that is demonstrated at fest the minute you walk in the gate. And that lack of attention to that sort of detail (when the slickness and smoothness of everything else on that show is never skimped on), once again ignored female competence and what we can do without males.
Which was one of central liberatory aspects of Festival for me.
Guest post by Syd Mutschler, cross-posted on Listening to Lesbians.
Editor’s Note: This commentary by Syd Mutschler is originally from June 2014, not long after the Indigo Girls reneged on an agreement to play at MichFest in August of 2014. At the time, they made quite a public show of their sudden boycott of an event that the Indigo Girls as a group and Amy Ray individually had played many times. They gave the organizer of the event very little notice that they were pulling out and did so well after brochures, posters, and other materials had been printed and women had bought tickets expecting to hear them at the Festival. Treating women who had supported them financially and in other ways over many years this badly would be ugly enough, but they undertook this boycott after many years of the exact same controversy, yet it hadn’t stopped them from playing and spending time at the Festival at any time in the past. This was very likely a decision based purely on finances (they were afraid that they would be boycotted, yet they continued to play at a venue with an owner with extremely questionable ethics), not deeply-held beliefs about “inclusivity.”
As the yearly debate about the Michigan Womyn’s Music Festival heats up, I have been having a lot of thoughts around boycotts, artists pulling out from the line-up, or artists who have stated they will not play again until the intention of the festival is changed from a gender/sex separate space to only a gender separate space. Artists and trans activists such as Red Durkin have made a lot of statements about why they will not play or why the festival should be boycotted, but I find them to be vague, condescending, emotionally manipulative, and intentionally inflammatory.
Guest post by Liz Waterhouse
When an article on Germaine Greer was posted by the Star Observer recently, I noticed that the comments were aggressively misogynistic. Distressed by how much this excluded and insulted women in the LGBTI community, I asked posters to stop using such hurtful and upsetting language. As a lesbian, I expected that my community would be a relatively safe place, and I expected a degree of solidarity. What resulted was hours of increased insults, ridicule and finally personal abuse. It left me wondering why the community would attack a request for basic respect and why any woman would speak out if this is how they were treated.
Most responders were male and they used crude, aggressive and dismissively sexist language to attack first Greer, and then me, in post after post, correctly assuming that their comments would be tolerated by other posters.
Eventually, the Star Observer intervened and deleted the worst of the comments, but there remained a steady stream of insulting posts, eventually escalating to personal messages of abuse and lesbophobia.
Particularly upsetting were comments like this one:
, Gender Critical
, Lesbian Community
, Lesbian Feminism
, Liberation Collective
In a recent anti-radical feminist screed, published prominently on several leftist blogs, a trans* activist attempted to equate gender critical analysis with homophobia. This is the latest twist on the conflation of the lesbian and gay rights political movement with the trans* political movement. And it’s the latest indication that it will be lesbians, other women, and girls who are most harmed by that conflation.
Though there are claims that our groups have reason to have a strong political alliance, it’s arguable that Gay, Inc. – the large, well-funded and influential political groups – created this conflation simply to increase funding and reach. There doesn’t seem to have been a period of time where lesbians and gay men were allowed any discussion or input about this decision. But there are obvious reasons to question the unholy alliance.
, Lesbian Community
, Lesbian Feminism
Guest post by Maggie H.
This post is the second part of a series of posts based on some of the RadFem Reboot 2012 presentation talk that I gave in Oregon recently on the patriarchal takeover of women’s sexuality.
Warning: This post contains some graphic depictions of pornified lesbian culture. I believe it is important to know what some lesbians are watching, making, writing & reading ‘for fun’ these days. The examples taken from lesbian media are not ‘isolated cases.’ Many lesbians I spoke to actually say that they ‘love’ websites like Autostraddle or magazines such as Diva UK. These things are part of mainstream lesbian culture today.
As pointed out at the end of the first part (on lesbian BDSM fanfiction, a cultural phenomenon within lesbian culture), the fandoms of Xena, Buffy, Stargate SG-1, Rizzoli & Isles (or whatever show lesbians want to read BDSM fan fiction from) are not the only lesbian cultures that have been affected by patriarchy. No, unfortunately, there are many more aspects of contemporary lesbian culture that have been poisoned by patriarchal ideology and male-centred sexuality too.
So let me take you through contemporary lesbian culture now.
Guest re-post by Maggie H.
This post is the first part of a series of posts based on some of the RadFem Reboot 2012 presentation talk that I gave in Oregon recently on the patriarchal takeover of women’s sexuality.
Warning: This post contains some descriptions of what happens in written pornography. Skip those parts if you feel queasy; read them if you really want to know what some lesbians are writing & reading ‘for fun’ these days.
Disclaimers: By writing this post I would like to make very clear that I am not criticising individual women for having particular sorts of fantasy. I am a former BDSMer myself. I am actually being critical of the pornographic works being published online, and of the patriarchal context within which such stories get written and read in the first place. I believe it is important to challenge the everyday political poisoning of our lesbian communities by BDSM culture. If you read or write those kinds of stories, I am not ‘attacking’ you personally; I am just trying to make a point concerning what you read or write.
I feel the need to talk about fan fiction, as it has become an important part of lesbian culture nowadays in some circles. This includes stories based on the characters of Willow & Tara (from Buffy: Vampire Slayer) and Xena & Gabrielle (from Xena: Warrior Princess) –and there are also lesbian fan fiction stories based on the characters of Stargate SG-1, Rizzoli & Isles or other shows lesbians happen to be fans of. Not all lesbian fan fiction stories are bad or misogynistic (some can actually be really good and female-centred), but BDSM sexuality is often glamorised in some popular lesbian fan fiction tales. Those stories are written and read by lesbian fans of those TV shows, everyday women: women like you or me. Any lesbian can become an anonymous fan fiction writer nowadays, and get easily published on the Internet for free via specific fan fiction websites.
I was coercively assigned a sex role at birth. As soon as medical personnel saw that I didn’t have a penis, the process of putting me and keeping me in a very narrowly-defined box began. From then on I was coercively stopped from doing or being things associated with boys and coerced into doing and being things associated with girls. I fought many bitter, painful battles over years of being forced into that box. A handful of those battles I won; most I lost, because the full power of adults was brought to bear to keep me in my proper sex role.
It’s intensely frustrating that in the intervening years experiences like this have continued for girls and boys. But worse, rather than meaningful progress toward simply allowing children to live their lives outside of any box, there is now a very powerful movement that claims that forcing children into the other restrictive sex role box is the solution. The problem, these people claim, is not that the person was coercively assigned a sex role at all, it’s that they were coercively assigned the incorrect sex role, and that (of course!) can be fixed by adopting the other sex role.