It is often said of independent, strong-willed women of the past who defied the social rules and norms that they are women “ahead of their time”. By this it is understood that should a woman behave in a similar way in contemporary society, they would be included and accepted within society, that less barriers would exist for contemporary women who wished to have a comparable lifestyle and equitable achievement. It is always within this context that we are invited to view the lives of women in the past.
I personally find that this creates a completely false divide between the struggles of women in the past and the struggles of women today. In some ways, yes, we as women walk an easier path because of the trails that were blazed by the defiant women who came before us… but in many ways I see our paths running together, fighting the same fights as so many women have fought in the past, with the same determination, passion and desire for freedom. Perhaps we are always women “ahead of our time”. When is it our time, I have to wonder, and will we ever get there? Read More
Having been educated into radical feminist analysis by a group of incredible Australian lesbian feminists who collectively have a very clear view that the butch/femme hierarchy in the lesbian community as one that is unhealthy to lesbian relations, it surprised me to discover, both online and in real life, a push to incorporate butch/femme ideologies into lesbian feminist practice and theory. The push seems to be from a strong concern that women classified as ‘butch’ are a class of women who are specially oppressed under male supremacy and that they are being transitioned out of existence. Read More
You are all invited to attend Rad Fem Reboot: 2012 Conference happening in July from the 27th till the 29th in Portland, Oregon. Three days of women only space and rad fem utopia. Read More
Big Porn Inc is a book of articles on pornography, many of which are written from a radical feminist perspective. The book was edited by two well known Australian feminists Abigail Bray and Melinda Tankard Reist and published by Spinifex Press. This post is my personal reaction to reading this book. Please be advised that this post contains graphic descriptions of rape. Read More
— FROM THE ARCHIVES —
Phallosopher contemplating his meaningless existence, and how deep his meaninglessness is.
Ok, so I’m currently thinking a lot about the episode of Firefly, Objects in Space. This was the last episode of the TV series before production was stopped. And as such it became one of the most important to the fans of the series. Now I did want to talk about the racism of this particular episode. And I will. I will be focusing particularly on the construction of lust, both in this episode, and in the series as a whole. But first I wanted to talk a little about male philosophy as Wank.
Joss Whedon really loves Wank. That is basically the moral of this episode Objects in Space. I will be referring to Joss Whedon as a Phallosopher throughout this entry. I envisage Phallosophers to encompass all the Great Male Phallosophers throughout the ages. From Aristotle to Camus to Sartre to Whedon. Phallosophy is characterised by self-obsession, misogyny, and a disturbing, yet relentless tendency to produce Wank. Phallosophers are generally Bores. Now, what is common to most Phallosophers is their acute susceptibility to Male Artist Syndrome, as theorized very superbly by Dissenter:
A culture of homosexual group sex has been exposed with recent allegations of ‘sexual abuse’ by some retired fire fighters against their colleagues. These allegations have given rise to a debate on the nature of consent within group sex between men. Some sources have jumped to immediate conclusions on the matter, blaring headlines such as “Brutal Abuse Exposed” (Cover of The Sunday Telegraph, Sunday 14th February). However the issue is far more complicated than that.
We need to take into consideration several important points before we make such spurious judgment on the nature of this so called ‘abuse’. Read More
As many Aussies do over the holiday period, I went to the movies to watch some trash. I had a particular film in mind so I went to the website of the local cinema. As per usual every single movie advertisement featured men or male characters front and centre, with long lists of male actors names covering the poster and a few token females thrown in. The only exception to this was the poster advertising the American remake of The Girl with the Dragon Tattoo. On the poster for this movie there is a young woman, stripped to her waist. A man is standing behind her with his arm clenched over her breasts as if she is his possession. This year, as with every other year, women’s role as owned possessions is made crystal clear in Hollywood. Read More